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Home Press The newspaper La Provence d’Aix has published an article on the photographic work of Bruno Palisson: “Bruno Palisson, a look at the Arles meetings”

The newspaper La Provence d’Aix has published an article on the photographic work of Bruno Palisson: “Bruno Palisson, a look at the Arles meetings”

On July 7, 2022, the newspaper La Provence d’Aix published an article dedicated to the photographic work of Bruno Palisson, represented by Art trope gallery.

Article about Bruno Palisson published in La Provence © Art Trope Gallery
Article about Bruno Palisson published in La Provence © Art Trope Gallery

Bruno Palisson is an architect in the city, but he also works in a field of plastic art. To be more precise, after falling into the pot of photography being small. From the age of 10 when his father had offered him one of those venerable Goldstein Goldy picture boxes. Today a collector’s item, it releases silver photos in 6×9 format of an opulent definition but with only eight shots per film. Good school to learn to weigh your finger before pressing the shutter release, unlike the blind snapping that the digital allows today to beginners…

Equanimity 2 - 01 - 2022 © Bruno Palisson
Equanimity 2 – 01 – 2022 © Bruno Palisson

This man is no longer a beginner. He is published in specialized magazines such as L’Œil de la Photographie, Fisheye or Chroniques d’Architecture. Since 2018, he has also exhibited his work from Paris to Glasgow, via Basel, Strasbourg, Fréjus and Noirmoutier. He is still recorded until September 3 in this Babel of the image that remain The Rencontres photographiques of Arles. More precisely, at 3 rue Élie Giraud, where the Art Trope Gallery that represents him, hangs a collective exhibition titled Alterity: I is an Other.

Equanimity 2 - 02 - 2022 © Bruno Palisson
Equanimity 2 – 02 – 2022 © Bruno Palisson

He takes part in it with his series Equanimity about which he says: ‘What could be more commonplace around the age of 50 than trying to understand what the essence of our existence is and to take a step back from the race we are running in our society and try to put this last stage of our existence into perspective. Jointly try to understand this distancing, this frightening but abstract anfractuosity, hence the difficulty of apprehending it, which we continue to enlarge with nature, until the rupture, which may lead us to our loss? I wanted to get closer to the elements, the Earth, the Air, the Water, and the Wood that are familiar to me and that – yet I do not look enough. I watched, contemplated, and meditated, I laid myself bare, at least I faced without cheating, to become one with the moment and these elements. To be with them, to go to the essentials, to the simplest and to be as close as possible to our origins to perhaps be better reborn and perhaps for the first time live. It is this reunion with our origins, this nature, ourselves, that I wished to share with you.” The photo addict from Aix-en-Provence who will not hesitate to travel the 75 km separating his home from the Arles arenas will share…

Article published in the newspaper La provence, on July 7, 2022

Equanimity 1 - 03 - 2022 © Bruno Palisson
Equanimity 1 – 03 – 2022 © Bruno Palisson
← Artnet News has published an article about our current exhibition “Spotlight: In Arles, 12 Photographers Consider How Otherness Illuminates Our Sense of Ourselves” Réponses Photo Magazine published an article about Bruno Palisson’s photographic series “The Way of the Salt Worker” ! →

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