Our news : April 2026
With the excitement of Art Paris still in the air, we’re thrilled to invite you to the group exhibition “Le Souffle Bleu” featuring two of our artists, Hélène Hubert et Romain Liverato, at the Grande Galerie de Viry-Châtillon from April 18 to May 16, 2026.
Opening: Friday, April 17, 2026, starting at 7 p.m.
Freelance photographer and author, Hélène Hubert focuses her research on the perceptve intensity of the unseen through images. Her work is defined by a sensitive approach, where photography serves as a medium for exploring the interactions between light, texture, and memory.
Color plays a central role in her visual language. She makes subtle use of the blue color in particular, creating a nuanced palette that ranges from aquamarine to cyan, and from turquoise to deep blue. These color variations shape the image and help create a singular sense of visual depth.
As Jessica Belval, the town of Viry-Châtillon’s cultural director, points out, “her blues are not merely a chromatic representation, they convey a genuine sensory and intellectual exploration.” In her compositions, tones blend and interact in a balance where light and shadow dance in harmony, revealing a space where the photography transcends its descriptive purpose to become a place of experience. Each work initiates a dialogue between perception and inner life, between presence and absence.
Through this work, Hélène Hubert offers a dreamlike approach to photography, inviting viewers to interpret reality with their senses, where the image becomes the catalyst for an experience that is both intimate and universal.
Romain Liverato, a multidisciplinary artist, explores themes centered on the natural landscape, initially approached from a contemplative perspective, free from any human presence.
As of 2019, his work has shifted toward an exploration of the impossible task of separating Nature from humanity’s impact. Photography thus becomes a starting point, a raw material shaped by the integration of mixed media techniques such as mosaics, painting, and gilding, revealing the changes in the landscape and the tensions between nature and human activity.
Blue in Nature is an exploration of the landscape through the blue color, ranging from wide-open spaces (the sky, the ocean) to more subtle details, using both a micro and macro perspective that inspires contemplation. The introduction of digital manipulations breaks up the image: cracks, distortions, and a pixelated effect. These alterations reflect the impact of human activity and a kind of breach with life. The introduction of gold, inspired by Byzantine iconography, imbues nature with a symbolic and spiritual dimension, paving the way to potential reconciliation between humanity and the environment.
Along this path, the exhibition presents a selection of several series by Romain Liverato that explore our relationship with the world, through contemplation, transformation, and transcendence.
If you’re in Austria or planning a trip to the Vienna area, don’t miss the solo exhibition “Hyper Senses” by our painter Harry Ergott at the W N°3 Gallery in Krems an der Donau from April 25 to May 22, 2026.
Opening: Friday, April 24, 2026, starting at 6 p.m.
Through the exhibition Hyper Senses, painter Harry Ergott explores a visual language at the intersection of figuration and expressive abstraction, where perception, the body, and emotion converge with heightened intensity.
His figures, both present and distant, emerge in moments of concentration, introspection, or inner awakening. They move through spaces filled with streams of color where the pictorial material becomes an extension of psychological states.
Color occupies a central place in his pictorial language. Both structuring and vibratory, it shapes sensitive atmospheres in which tones reveal the figures’ inner tensions and resonances.
The exhibition’s title, Hyper Senses, refers to an intensification of perception, where the gaze transcends mere vision to become experience. In these portraits, often large-scale, gestures, gazes, and lines of force converge toward points of emotional tension, revealing figures that are both powerful and vulnerable.
Through this exhibition, Harry Ergott explores contemporary notions of identity, corporeality, and inner perception, positioning his work within a broader reflection on the human condition.
Between dynamism and suspension, between figuration and dissolution, his work opens a space in which perception is redefined, calling for renewed attention in a world saturated with stimuli.
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